1994 | Mesquite Flat, Death Valley
Following up on how people ask, “Should I work in black-and-white, or in color?”
I look at the spare yet intricate monochrome pictures of Lewis Baltz. If you can get to his prints, they are supremely nuanced, especially in the very high and very low tonal registers.
His own answer to the question is one of the best: “Black-and-white has more colors.”